ThesisOpen AccessMetadata saja
•Skripsi, Thesis, Disertasi, dan Tugas Akhir
AN ANALYSIS ON SEMIOTIC MEANING FOUND IN TRADITIONAL LEGO-LEGO DANCE OF ALOR REGENCY PRACTICED
BY TERNATE UMAPURA VILLAGERS.
ABSTRACT
Student, Supervisor 1, Supervisor2,
(Nurlaila Iskandar1), (Dr. Dra. Magdalena Ngongo, M.Pd2), (Alfriani Ndandara, S.S., M.Hum3)
Corresponding Writer’s Email :[email protected]
This research entitled “AN ANALYSIS ON SEMIOTIC MEANING FOUND IN TRADITIONAL LEGO-LEGO DANCE OF ALOR REGENCY PRACTICED BY TERNATE UMAPURA VILLAGERS”. This research discussed the semiotic meanings Found In Traditional Lego-Legodance of Alor Regency Practiced By Ternate Umapura Villagers.This research useded descriptive qualitative method. The Instrument used by the writer was interviewed, observation bythe study and clasified. The writerrecordied during the interview, writer documented all the process and later, transcribe the utterance of informantabout the meaning of Lego-Lego dance in TernateUmapura village of Alor Regency in Northwest Alor. In analyzing the data, the writer applied qualitative analysis.Based on the data analysis, it was found outthereare 15 symbols and the meanings, such asPaha limang golu‘ Hand holding’Iabajong‘Movement oflegs’Atang amalo ‘Handstace’Elilola ‘Fast movement’Dakaserang‘Slow motion’jolsonbole‘Flat movement’ ‘Lelang’‘Mezbah’Gongbarua‘Gong’Serangbavatou‘Bava’ ‘hug’ ‘ciecle’kafate‘Alor wovenfabric’ ‘sinjiboli’ ‘Holding the litle finger’Tenafuung‘The end of the dance cricle’and the lastliang pukong‘Line leader’.The writer hope that these are important for Umapura young generation to know about this culture that the writer hoped that young people of Umapura community the of Alor Regency in Northwest Alor and conserve thistraditional dancing as the one of popular culture to domectics or foreigns.as the suggestion the writer hopes that this researchis useful for everyone, especially Englishstudents who want to do research on semiotic meaning.
Keywords: Alor Regency, semiotic meaning, Traditional Lego-Lego Dance
ThesisOpen AccessMetadata saja
•Skripsi, Thesis, Disertasi, dan Tugas Akhir
This thesis contains an analysis of signs at the ceremony of the Mekala- Kalaan Ritual on The Balinese Wedding Ceremony. This not a culture that has just been heard, but until now there are still many people who do not understand about it. In this thesis the author explains the signs found in the ceremony of the Mekala-Kalaan Ritual on The Balinese Wedding Ceremony based on the theory of Pierce in Cobley (2001:31), Semiotic is a study that describes a sign in an interpretative process. A sign is something that stands in a well defined kind of relation to two other things are sign, object and interpretant. That the research is focuses on the divided sign becomes icon, index, and symbol. In completing this research, the researchers focused on using qualitative methods which were carried out by grouping picture from YouTube with videos conducting interview with the ceremonial leaders and conducting data processing. The result of the study, there are 10 found of signs. Found of sign in The Mekala-Kalaan Ritual on The Balinese Wedding Ceremony among others: Sanggah Surya ‘Palace bamboo’, Tikeh Dadakan ‘small mat’, Keris ‘ceremonial knife’, Benang putih ‘white thread’, Tegen-tegenan ‘bunder of responsibility,’ Suwun-suwunan ‘portable means’, Dagang-dagangan ‘merchandise’, Sampat Lidi ‘broom stick’, Sambuk Kupakan ‘ coconut husk’, Tetimpung ‘bamboo on fire’. The meaning of the sign in the way of life of the people of the Mekala-Kalaan Ritual on The Balinese Wedding Ceremony is a symbol of strength, love and care, openness, fertility, financial support, strength in the familly, warmth for the soul and modesty, if there is problem that should be discussed or agreed before making the decision. So The Mekala-Kalaan ritual must be carried out before the wedding ceremony , so that the marriage can be pure physically and mentally
ThesisOpen AccessMetadata saja
2023•Skripsi, Thesis, Disertasi, dan Tugas Akhir
A DESCRIPTIVE STUDY OF SEMIOTIC OF CLOTH AND JEWELRY WORN BY LEDO HAWU DANCERS IN HAWU MEHARA DISTRICT, SABU RAIJUA REGENCY ABSTRACT Tersiana Mariani Djami1 June A. Jacob2 Eltina A. Maromon3 Based on the background of this research there are two problems being investigated, they are: (1) what are the forms of cloth and jewelry worn by ledo hawu dancers in Hawu Mehara District, Sabu Raijua Regency? (2) what are the meanings of cloth and jewelry worn by ledo hawu dancers in Hawu Mehara District, Sabu Raijua Regency? Thus, the aims of this research are: (1) to know the forms of cloth and jewelry worn by ledo hawu dancers in Hawu Mehara District, Sabu Raijua Regency; (2) to know the meanings of cloth and jewelry worn by ledo hawu dancers in Hawu Mehara District, Sabu Raijua Regency. The research method used in this research is the descriptive-qualitative method with interview, documentary study as techniques of data collection. The result of this research shows that there are various kinds form and meaning of cloth and jewelry used in the performance of ledo hawu, especially in Tao Leo as a funeral ceremony of Jingitiu. In terms of cultural semiotics perspective, each of them contains several meanings; they are hig’i pudi (smooth white blanket) means honesty and holiness or purity life of a dead in the presence of his/her Almighty God (Deo Ama); lehu kattu (head band) means appreciation of the gift given by Miha Ngara as one of the ancestors of Sabunese and all at once as the descent commemoration of Sabunese; labba (silver/gold cross crown) means honoring on the merits and the struggle of the earlier dead kings of Sabunese; wudu (traditional necklace) means rich treasures of the earlier ancestors including the families of the dead; teru’u (ring) means rich treasures of the dead; hemala (sword) means knight of men to expel every evil spirits during the way of the dead till the world of ancestors; wonagiri (feet bells) means entertainment for the family members of the deceased and accompanist for the dead on his/her way to the world of the earlier ancestors; ‘ai (sarong) means self-protection and identity of female dead for the earlier ancestors; and paddi (silver/gold belt) means bundle of Hubi Ae and Hubi Iki descents between the dead and the alive person.
ThesisOpen AccessMetadata saja
2021•Skripsi, Thesis, Disertasi, dan Tugas Akhir
The title of this research is the Semiotic Analysis on Sa'o Ria (The Traditional House) of Lio Ethnic. The objective of this research were to describe (1) the meaning and (2) social function of the symbols on the Sa'o Ria (traditional house) of Lio ethnic in Wologai traditional village in Ende regency. This research used qualitative method in accordance with the theory of Charles Sanders Pierce and based on semiotic fields especially culture code such as architecture and ornament. The source of data was taken from Sa'o Ria and a mosalaki (customary holder) by observation and interview. The finding of this study shows that there are meanings and social function of symbols that found on the traditional house: (1) Meanings: fertility, prosperity, greatness, joy, discipline, loyalty, protection, bravely, relationship, gratitude, spirit, beauty, unity, light, sun, truth, guidance, highest, and respect. (2) Social function: respect for a mother, sacrifice, expression of happiness, accompanist in traditional dance, description of hard work, protector, instruction for local people, form of gratitude to the ancestors, expression of joy, encouragement to maintain tradition and custom, indicates the local people must pound rice using a mortar, guide in carrying for unity and brotherhood, illustrate about the life situation of ancestor in ancient times, as light and also as a place to give birth for the local people which the birth process runs smoothly, guardian’s protection of nature and its contents, time to carrying out the customary process (Nggua) and calculating the time for giving birth, and the last is dowry for a women/ mother as a form of respecting the existence of woman. These carvings have close relationship with the socio-cultural life of the people in the Wologai traditional village.
ThesisOpen AccessMetadata saja
2021•Skripsi, Thesis, Disertasi, dan Tugas Akhir
ABSTRACT The title of this writing is “Semiotics Analysis Of Bath Soap Advertisements Found On Television”. Semiotics is the study of sign and symbol. This study discovered the symbol of bath soap advertisements in which symbol is a relationship between the sign and its conceptual object entirely arbitrary.The research problem of this study was What are the symbols and short messages that found in soap advertisements? And What are the meanings of the symbols and short messegesthat found in soap advertisements?. The aims of this study were to find out the symbols and short messages that found in soap advertisements and To find out the meanings of the symbols and short messages that found in advertisement.This research uses qualitative method. After analyzed the data, the writer foundsymbols and short messages in soap advertisements namely Dettol, Shinzui, Citra, Dove, Lifeboy, Claudia, Nuvo, Asepso, Lux and Giv. For example, the symbols and short messages that found in soap advertisements especially in the soap Dettol; In this soap, it can be seen that there are two symbols can be seen in the soap namely cross line and sword. Short messages can be found in the soap advertisement namely ‘perlindungan terpercaya’ ‘true protection’, ‘perlindungan setiap hari dari berbagai jenis kuman yang tak terlihat’ (Protection every day from various kinds of germs which do not visible). The writer hopes this research wills add more knowledge about the simiotics in advertisement. Key Words: Semiotics, Television, Bath Soap, Advertisement
